ARTICLES INDEX
ISSUES
Upcoming Issue
2007-2008 (25:2, 25:3, 26:1)
2006-2007 (24:2, 24:3, 25:1)
2005-2006 (23:2, 23:3, 24:1)
2004-2005 (22:2, 22:3, 23:1)
2003-2004 (21:2-3, 22:1, 22:2)
2002-2003 (21:1)
2001-2002 (20:1, 20:2, 20:3)
2000-2001 (19:1, 19:2, 19:3)
1999-2000 (18:1, 18:2, 18:3)
1998-1999 (17:1, 17:2, 17:3)
1997-1998 (16:1, 16:2-3)
1996-1997 (14:3, 15:1, 15:2)
1995-1996 (13:3, 14:1, 14:2)
1994-1995 (13:1, 13:2)
1993-1994 (11:3, 12:1, 12:2)
1992-1993 (11:1, 11:2, 11:3)
1991-1992 (10:1, 10:2)
1990-1991 (9:1, 9:2)
1989-1990 (8:1, 8:2)
1988-1989 (7:1, 7:2)
1987-1988 (6:1, 6:2)
1986-1987 (5:2)
1985-1986 (4:2, 5:1)
1984-1985 (3:2, 4:1)
1983-1984 (2:2, 3:1)
1982-1983 (2:1)
1981-1982 (1)
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ISSUES
1993-1994
Volume 11, Issue 3
Fair Use Misconstrued: Profit, Presumptions, and Parody
William F. Patry & Shira Perlmutter
Copyright Protection: Has Look & Feel Crashed?
John M. Walker, Jessica D. Litman, Susan G. Braden, Anthony L. Clapes, Henry B. Gutman, Rochelle Cooper Dreyfuss, Frank J. Macchiarola, and Marci A. Hamilton.
Girls Lean Back Everywhere: The Law of Obscenity and the Assault on Genius
Linda Kauffman
Excerpt: Girls Lean Back Everywhere: The Law of Obscenity and the Assault on Genius
Edward de Grazia
Outing: Justifiable or Unwarranted Invasion of Privacy? The Private Facts Tort as a Remedy for Disclosures of Sexual Orientation
Barbara Moretti
Self-Help & Contributory Infringement: The Law and Legal Thought Behind a Little 'Black-Box'
Nicholas E. Sciorra
Perfection of Security Interests in Copyrights: The Peregrine Effect on the Orion Pictures Plan of Reorganization
Steven Weinberger
Volume 12, Issue 1
Alienability Restrictions and the Enhancement of Author Autonomy in the United States and Continental Copyright Law
Neil Netanel
Identities, Sexualities, and the Postmodern Subject: An Analysis of Artistic Funding by the National Endowment for the Arts
Carl F. Stychin
In Search of Artistic Excellence: Structural Reform of the National Endowment for the Arts
Elizabeth E. deGrazia
Deconstruction: The Road to a Derridian Cul-de-Sac Where "There is No There There" and "There Is No About About for Anything to Be About"
Arthur D. Austin
Protecting Art Purchasers: Analysis and Application of Warranties of Quality
Drew N. Lanier
Remember the Sabbath? The New York Blue Laws and the Future of the Establishment Clause
Mark A. Stadtmauer
The Art of Music Licensing
M. William Krasilovsky
Fairness on the Field: Amending Title VII to Foster Greater Female Participation in Professional Sports
Melissa M. Beck
Think Globally, Act Locally: North American Free Trade, Canadian Cultural Industry Exemption, and the Liberalization of the Broadcast Ownership Laws
Stephen R. Konigsberg
Volume 12, Issue 2
Programming Access and Other Competition Regulations of the New Cable Television Law and the Primestar Decrees: A Guided Tour Through the Maze
David J. Saylor
Moral Rights Protection and Resale Royalties for Visual Art in the United States: Development and Current Status
Edward J. Damich
Film Labelling as a Cure for Colorization [and Other Alterations]: A Band-Aid for a Hatchet Job
David A. Honicky
Architect as Artists: Artists' Rights and Historic Preservation
Patty Gerstenblith
The 1992 Cable Act and the First Amendment: What Must, Must Not, And May Be Carried
Gary S. Lutzker
Rewiring the First Amendment: Meaning, Content and Public Broadcasting
Donald W. Hawthorne & Monroe Price
Conservator Overreaching and the Art Owner: Contractual Protections Against the Overzealous Restoration of Fine Art
Peter Adelman
Fostering Development of Advanced Telecommunications Technologies: The F.C.C., the Pioneer's Preference & Personal Communications Services
John Friedman
The UCC and Consignment: Making the Code Safe for Artists and Other "Little Fellows"
Mark Marcone
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