ARTICLES INDEX
ISSUES
Upcoming Issue
2007-2008 (25:2, 25:3, 26:1)
2006-2007 (24:2, 24:3, 25:1)
2005-2006 (23:2, 23:3, 24:1)
2004-2005 (22:2, 22:3, 23:1)
2003-2004 (21:2-3, 22:1, 22:2)
2002-2003 (21:1)
2001-2002 (20:1, 20:2, 20:3)
2000-2001 (19:1, 19:2, 19:3)
1999-2000 (18:1, 18:2, 18:3)
1998-1999 (17:1, 17:2, 17:3)
1997-1998 (16:1, 16:2-3)
1996-1997 (14:3, 15:1, 15:2)
1995-1996 (13:3, 14:1, 14:2)
1994-1995 (13:1, 13:2)
1993-1994 (11:3, 12:1, 12:2)
1992-1993 (11:1, 11:2, 11:3)
1991-1992 (10:1, 10:2)
1990-1991 (9:1, 9:2)
1989-1990 (8:1, 8:2)
1988-1989 (7:1, 7:2)
1987-1988 (6:1, 6:2)
1986-1987 (5:2)
1985-1986 (4:2, 5:1)
1984-1985 (3:2, 4:1)
1983-1984 (2:2, 3:1)
1982-1983 (2:1)
1981-1982 (1)
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ISSUES
1991-1992
Volume 10, Issue 1
The Right of Publicity: Star Vehicle or Shooting Star?
Barbara Singer
New Technologies on the Block: New Kids on the Block v. News America Publishing, Inc.
Randy S. Frisch
The Dream Cure
Drucilla L. Cornell
The Dream Cure: Dreams for Cures for Dreams
Stephen Gillers
The Dream Cure: A Scene of Professional Deceit
Judith Koffler
The Dream Cure: Thoughts on Drucilla Cornell's The Dream Cure
Richard Weisberg
The Post-Riley Era: An Analysis of First Amendment Protection of Charitable Fundraising
Stephen H. Block
Reading Between the Lines: High Definition Television, Antitrust Reform and America's Chance to Get Back into the Television Business
David L. Glotzer
Protecting Plant-Derived Drugs: Patents and Beyond
Liz Hanellin
The EC Software Directive: Meeting the Challenges of the Information Age
Ronald J. Palenski
Volume 10, Issue 2
On the Author Effect: Recovering Collectivity
Martha Woodmansee
On the Author Effect: Contemporary Copyright and Collective Creativity
Peter Jaszi
Touching Words: Helen Keller, Plagiarism, Authorship
Jim Swan
Author/izing the Celebrity: Publicity Rights, Postmodern Politics, and Unauthorized Genders
Rosemary J. Coombe
The Pragmatics of Genre: Moral Theory and Lyric Authorship in Hegel and Wordsworth
Thomas Pfau
The Interdisciplinary Future of Copyright Theory
Alfred C. Yen
Milton's Contract
Peter Lindenbaum
From Rights in Copies to Copyright: The Recognition of Authors' Rights in English Law and Practice in the Sixteenth and Seventeenth Centuries
John Feather
The Author in Court: Pope v. Curll (1741)
Mark Rose
Authority and Authenticity: Scribbling Authors and the Genius of Print in Eighteenth-Century England
Marlon B. Ross
Charles Dickens, International Copyright, and the Discretionary Silence of Martin Chuzzlewit
Gerhard Joseph
International Copyright: Structuring "the Condition of Modernity" in British Publishing
N.N. Feltes
Sanctioning Voice: Quotation Marks, the Abolition of Torture, and the Fifth Amendment
Margareta de Grazia
Broadcast Copyright and the Bureaucratization of Property
Thomas Streeter
Authorship and the Concept of National Cinema in Spain
Marvin D'Lugo
"Don't Have to DJ No More": Sampling and the "Autonomous" Creator
David Sanjek
Beaumont and/or Fletcher: Collaboration and the Interpretation of Renaissance Drama
Jeffrey Masten
Common Properties of Pleasure: Texts in Nineteenth Century Women's Clubs
Ann Ruggles Gere
Reading and Writing the Renaissance Commonplace Book: A Question of Authorship?
Max W. Thomas
Collaborative Authorship and the Teaching of Writing
Andrea Lunsford & Lisa Ede
The Author in Copyright: Notes for the Literary Critic
Monroe Price & Malla Pollack
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