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1983-1984 Volume 2, Issue 2 Artists' Moral Rights: A European Evolution, An American Revolution Dan Rosen Bankruptcy: The Death of Recording Contracts Mitchell R. Julis & Ricardo A. Báez Sound and Video-Recording and the Copyright Law: The German Approach Ernest A. Seemann The Right of Publicity, Section 43(a) of the Lanham Act and Copyright Preemption: Preventing the Unauthorized Commercial Exploitation of Uncopyrighted Works of Art Kenneth L. Bressler Videotex: A Welcome New Technology or an Orwellian Threat to Privacy Mindy Elisa Wachtel No Monopoly on Monopoly: Anti-Monopoly Inc. v. General Mills Fun Group, Inc. Harry M. Baldinger Volume 3, Issue 1 The Widening Gyre: Are Derivative Works Getting Out of Hand? Ralph S. Brown Antitrust Issues in the New Video Media Monroe Price & Mark S. Nadel Summary Judgment in Copyright: From Cole Porter to Superman Alan J. Hartnick New York Artists' Authorship Rights Act of 1983: Waiver and Fair Use Joseph Taubman Old Wine in New Bottles: Replacing the Fairness Doctrine with Enforceable Diversity in Media Maurice W. Heller Coming to a Theater Near You: Movie Distributors Challenge Exhibitor Instigated Anti-Blind Bidding Statutes Glen Trotiner Christine- The Craft Without an Anchor: Craft v. Metromedia Rhonda Blond-Rosen Rooney v. Columbia Pictures: A Performer's Right of Publicity with a Touch of Class Francine A. Bellach |
Benjamin N. Cardozo School of Law
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